I really love photographs like this. The image was shot with my 300mm F4 lens of the six top leaves of the small backlit Aspen. The highlights must not be blown. I positioned the camera so the the lens was not in direct sunlight and the background was in deep shadows. I take care to make sure that the red channel is not blown even lowering the exposure in post processing so that the veins in the leaves are visible.
The translucent appearance of the stems as well as the leaves appeals to me.
I look for these scenes. Often, I decide to use only the 300mm and look settings where this lens will produce this close up effect.
Wednesday, October 27, 2010
Young Quakies in the Snow
This stand of young Quakies after a late October snow storm. Notice how the trees are much smoother and straight in this stand. Soon there will be no winter maintenance on this road so the area will only be accessible on ski's or by snowmobile.
Stand of Mature Quakies with Background of Young Quakies in Full Color
This is my favorite stand of mature Quakies with the young trees in the background in full fall color. The sun is high enough and behind the trees so that the background trees are backlit. I locate my camera putting it behind a large tree to block the direct sunlight from the front of the lens. There is very little side light so there is very little pesky problem of blown highlights from direct sunlight on white bark.
Dealing with Sunlight White Quaking Aspen Bark Utilizing HDR
In the photograph, I dealt with the sunlight on the white bark of Quaking Aspens using high dynamic range (HDR) imaging. In this early morning image, seven exposures were captured from -3 to +3 EV, developed in NX2, converted to Jpegs and then imported into Photomatrix Pro. I developed this image starting with the "natural" preset in PPro to avoid the grunge look. This scene has close to the 4-5 EV dynamic range. I generally take a full set of images and then select the set of images where the highlights at the lowest exposure are clearly not blown and the shadows at the other end are not totally black. I process all the images of the set identically.
Lone Red Maple amongst the Quaking Aspens
This Maple was hidden in a stand of Quakies in an early morning sun. The Maples turn to fall colors and loose their leaves very quickly so timing is everything. The white bark of many Aspens presents a difficult photographic challenge in the sunlight. I find that I need to watch my exposure carefully, adjust the image to not blow highlights and then protect the shadows in NX2. In this photograph, I am not interested so much in shadows details which simplifies the post processing somewhat.
Patterns in the Old Quaking Aspens
The is photograph is of a stand of mature Quakies. As the trees mature over time, the dark scar patterns become more pronounced and dramatic. The stand of younger trees in the background are beginning to turn the signature yellow color color of Aspens.
Sunday, October 17, 2010
Deer Creek Overlook Panorama of Fall Color at Sunrise
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Deer Creek Overlook Panorama of Fall Color
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Mount Timpanogas Sunrise Panorama Version two
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Panorama of Mount Timpanogas at Sunrise
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Panorama of Fall Stand of Quaking Aspens
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Friday, October 8, 2010
Bald Eagle Watches over Pass Lake
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Bald Eagle watches over Pass Lake in the High Uintas. I didn't see a single trout break the lake surface but he still remained on watch. I had my 70-200 but chose in this shot not to zoom in. I wanted to show the eagle's perch above the lake.
I keep saying don't leave lenses behind. My 300 mm coupled with 1.4 TC would have gotten a pretty good shot of this guy.
First Fall Snow in Utah's High Uintas - Pass Lake
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Uinta reflections just appeal to me. These small lakes are just perfect. They are tucked in amongst the trees which calm the breeze.
First Fall Snow in the High Uintas - Lilly Lake
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The b&w rendering is great for showing the reflections of the trees in the water.
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